Each year readers submit over three thousand grammar and style questions to the Q&A page at "The Chicago Manual of Style Online". Some are arcane, some simply hilarious - and one editor, Carol Fisher Saller, reads every single one. All too often she notes a classic author-editor standoff over the 'rights' and 'wrongs' of prose styling: 'This author is giving me a fit'. 'I wish ...(展开全部)

Longtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the “rights” and “wrongs” of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Edit...(展开全部)

Each year readers submit over three thousand grammar and style questions to the Q&A page at "The Chicago Manual of Style Online". Some are arcane, some simply hilarious - and one editor, Carol Fisher Saller, reads every single one. All too often she notes a classic author-editor standoff over the 'rights' and 'wrongs' of prose styling: 'This author is giving me a fit'. 'I wish ...(展开全部)

蒂莫西•加顿艾什（Timothy Garton Ash）：英国牛津大学欧洲研究教授，圣安东尼学院以赛亚•伯林教授研究员，斯坦福大学胡佛研究所高级研究员。为《卫报》、《泰晤士报》、《纽约书评》等报刊撰稿，并出版多本著作。代表作有We the People、The File ：A Personal History、Facts are Subversive等。

我们对独一无二的东西感到崇敬，然后我们会复制它。——希列尔·施瓦茨，历史学者 💾 内容简介 我们生活在一个副本泛滥的时代。 影子是身体的副本，摄影是风景的副本，乐高是世界的副本，溜冰场是冬日湖面的副本，译本是原文的副本，虚拟现实是真实世界的副本……副本无处不在，复制就 是生活。 观看一个“副本”，意味着同时观看副本背后的“正本”及它们之间的关系。由此，我们在纷繁的世界获得一条线索，关注事物的本质、传承和联结。 本期《离线》会对“副本”概念做一次整理。通过理解副本与正本的关系，重新归纳万事万物，并思考核心的问题——什么是真正的创造？ 专题部分设定了一个分类体系，离线和作者们一起讨论了不同历史时期、多种维度下副本的状态和本质。三种品类逐层递进： “复制品”是无限接近1∶1复刻。——REPLICATE “仿制品”是有差异的复制，衍生出新的特性。——DER...(展开全部)

Through spring, summer, and autumn, through streams, swamps, and up and down trees, a mother bear and her cub play an important game of follow the leader. "You're my own little Copycub!" mother bear exclaims. Little does the cub know that each time he imitates his mom, he's learning precious life lessons. When winter suddenly arrives, the bears must make their way to the coz...(展开全部)

我们对独一无二的东西感到崇敬，然后我们会复制它。——希列尔·施瓦茨，历史学者 💾 内容简介 我们生活在一个副本泛滥的时代。 影子是身体的副本，摄影是风景的副本，乐高是世界的副本，溜冰场是冬日湖面的副本，译本是原文的副本，虚拟现实是真实世界的副本……副本无处不在，复制就 是生活。 观看一个“副本”，意味着同时观看副本背后的“正本”及它们之间的关系。由此，我们在纷繁的世界获得一条线索，关注事物的本质、传承和联结。 本期《离线》会对“副本”概念做一次整理。通过理解副本与正本的关系，重新归纳万事万物，并思考核心的问题——什么是真正的创造？ 专题部分设定了一个分类体系，离线和作者们一起讨论了不同历史时期、多种维度下副本的状态和本质。三种品类逐层递进： “复制品”是无限接近1∶1复刻。——REPLICATE “仿制品”是有差异的复制，衍生出新的特性。——DER...(展开全部)

Through spring, summer, and autumn, through streams, swamps, and up and down trees, a mother bear and her cub play an important game of follow the leader. "You're my own little Copycub!" mother bear exclaims. Little does the cub know that each time he imitates his mom, he's learning precious life lessons. When winter suddenly arrives, the bears must make their way to the coz...(展开全部)